Last week,
on April 9th, the centennial of Robeson's birth was celebrated
throughout the US, especially by Black organizations. There
is no doubt, Robeson was a tremendously gifted individual.
The son
of a former slave turned preacher, Robeson attended Rutgers
University, where he was an All-America football player. Upon
graduating from Rutgers at the head of his class, he rejected
a career as a professional athlete and instead entered Columbia
University. He obtained a law degree in 1923, but because of
the lack of opportunity for blacks in the legal profession,
he took up performing.
Robeson
became world famous as Joe in the musical play "Show Boat"
with his rendition of "Ol' Man River." He reprised
this role in the 1936 film version.
He traveled
extensively, and was welcomed as a celebrity in the Soviet Union.
Robeson was ecstatic with this new-found society, concluding,
according to New York Times Book Review contributor John Patrick
Diggins, "that the country was entirely free of racial
prejudice and that Afro-American spiritual music resonated to
Russian folk traditions. 'Here, for the first time in my life
... I walk in full human dignity.'"
While rightly
criticizing the United States for laws which illegally discriminated
against minorities, Robeson proclaimed the Soviet Union to be
free of racial strife and division. In fact, Stalin carried
out some of the most horrendous acts of genocide against racial
minorities in this century. From 1930-1937 alone, an estimated
14.5 million people, many of them Ukrainians and Kazakhs, starved
to death, died in Soviet labor camps, or were executed in a
conscious effort to rid the Soviet Union of minority groups
which stood in the way of Stalin's complete domination.
When asked
about any differences he might have with Stalin, Robeson replied,
"the coach tells you what to do and you do it." That
this son of a slave could think of no higher purpose than to
enslave his mind to the whims and vagaries of Soviet dictators;
that this man, who was so fiercely independent and defiant in
challenging authority in the United States, chose to blindly
follow and support one of the most evil men to walk this earth,
is sad in the extreme.
In a 1953
interview, long after Stalin's crimes were apparent to all,
Robeson spoke eloquently of his admiration for Stalin: "They
have sung - sing now and will sing his praise: 'Stalin, Glory
to Stalin.' Forever will his name be honored and beloved in
all lands. In all spheres of modern life the influence of Stalin
reaches wide and deep: his contributions to the science of our
world society remain invaluable. One reverently speaks of Marx,
Engels, Lenin and Stalin - the shapers of humanity's richest
present and future."
When Robeson's
autobiography was published in 1958, leading literary journals,
including the New York Times and the New York Herald-Tribune
refused to review it. Robeson traveled again to the Soviet Union,
but his health began to fail. He tried twice to commit suicide.
Slowly deteriorating and virtually unheard from in the 1960s
and 1970s, Robeson died after suffering a stroke in 1976.
His life,
full of desire and achievement, passion and conviction, "the
story of a man who did so much to break down the barriers of
a racist society, only to be brought down by the controversies
sparked by his own radical politics," Diggins concluded,
"is at once an American triumph and an American tragedy."