Maybe I
should just disqualify myself at the beginning. I've never
been a big fan of comedies. This film has some good ideas, but
the Farrelly brothers (writers and directors) take the easy
way out. The gross-out.
Our story
begins in Rhode Island, at a high school, a few days before
the prom. The kids look WAY too old to be in high school, but
that tradition started in 1958 with High School Confidential.
After nerdy
Ted (Ben Stiller) does a good deed on behalf of her retarded
brother, Warren (W. Earl Brown), dream girl Mary Jenson (Cameron
Diaz) picks Ted as her prom date. Unfortunately, they never
leave for the prom because Ted's genitals get caught in
the zipper of his rented tux, resulting in an ambulance being
called.
Flash forward
13 years. Ted is still pining over Mary, so his friend Dom (Chris
Elliott) convinces him to hire Pat Healy (Matt Dillon) to track
her down. Pat finds her, all right, but wants her for himself.
He tries to throw Ted off the trail with some ridiculously inaccurate
information.
In fact,
Mary is now a successful orthopedic surgeon in Miami, and is
still gorgeous. Best of all, she's single.
Ted decides
to pursue her, after determining that Healy gave him a bum steer,
but he still has to compete with Pat and Tucker (Lee Evans),
a poindexter architect and patient of Mary's.
Following
several clever plot twists, Ted does win Mary.
But, "Happily
ever after" is not what is providing the buzz for this
baby. As was noted by critic Robert Horton, the Farrelly brothers
are like the guy at the party who is always willing to go just
one step beyond the jokes everyone else is doing. He's not
the funniest guy there, but he IS the guy everybody talks about
the next day. To wit...
The caught
in the zipper joke seems to go on forever, and ends up being
more strained than funny.
We also
get to watch, in an obscenely drawn-out scene, Tucker gyrate
wildly and fall helplessly to the floor (twice), as he tries
vainly, grotesquely, to pick up his dropped keys.
Another
"hilarious" moment comes when Ted greets Mary with
semen hanging from his left ear (he's just masturbated,
in preparation for his date). Mary, thinking that it's styling
gel, rubs it into her hair. A gag shot in a restaurant, showing
the front of her hair sticking straight up, follows.
Mary's
stepfather (Keith David) portrays nearly every black stereotype
that could be fit into his time on the screen, while Richard
Tyson (remember him as Buddy Revell in Three O'Clock High?)
gives us an over the top "bad cop" cliche.
Since the
Farrellys have offended everyone, they're supposed to be
exempt, I guess. Actually, heterosexual men and women are probably
the most offended. Mary, despite being a surgeon, is merely
another dumb blonde, lapping up the absurd stories dished up
by Pat and Tucker. And, every man who pursues Mary comes off
as some sort of stalker. Despite all this rip roarin' fun,
Matt Dillon seems to be the only one who is enjoying himself
and turns in the film's only decent performance.
So what
are we to make of all this? Just another nail in the coffin
of quality. As for the Farrellys, they'll take the money.