A
beautiful little film, telling a love story, in which all the
dialogue is sung (in French with subtitles). Restored in 1992,
and available on video, this pic is quite satisfying--on many
levels.
The time is
1957, and 17-year-old shop clerk Geneviève Emery (Catherine
Deneuve) is madly in love with 20-year-old garage mechanic Guy
Foucher (Nino Castelnuovo). For a few brief moments, as she meets
him after work to go to a performance of Carmen, all seems idyllic.
By the next
morning, though, reality sets in. Her widowed mother and employer
(Anne Vernon), owner of Les Parapluies de Cherbourg--the film's
namesake--is completely opposed to Geneviève marrying Guy.
What's more, the shop is in serious financial trouble. Madame
Emery reluctantly decides to sell her jewels the very next day.
Mother and
daughter visit Dubourg the jeweler (Harald Wolff), but he can
do nothing for them. As luck would have it, wealthy diamond merchant
Roland Cassard (Marc Michel) is in Dubourg's store at that same
time, and saves the day by purchasing some of Madame's items.
He is immediately captivated by the gorgeous Geneviève, but
keeps this to himself.
The following
day, Geneviève meets Guy to tell him the bad news about her
mother not approving their proposed marriage. Guy gives her the
worse news that he has been drafted for two years to fight in
the Algerian War, and must leave tomorrow. The couple spends the
rest of the day together, and part of the night, as well. It is
on this occasion that they make love for the first time.
After bidding
au revoir to his frail aunt and guardian Elise (Mireille Perrey)
and her helper Madeleine (Ellen Farner), Guy meets up with Geneviève,
and they part at the train station.
Before long,
Geneviève reveals that she is pregnant, by Guy. The letters
from Guy are few and infrequent, so the bewildered teen talks
herself into marrying Cassard--with plenty of urging from her
mother, to be sure. Roland, for his part, is truly in love with
Geneviève, agreeing to raise the child as his own, in an
era when unwed mothers were not exactly looked upon as ideal marriage
material.
Guy's term
of service ends, and he returns to Cherbourg, heading right away
for the umbrella shop. Alas, it has been sold, and will now be
an outlet for washing machines. Returning to the home he shared
with Elise and Madeleine, he is told about Geneviève--the
girl who promised to wait for him.
That evening,
he has a few drinks, and spends the night with a hooker (Jane
Carat). Although she calls herself Jenny, her real name is Geneviève!
The not too subtle point being made, Guy returns home, only to
find that Elise has died.
Madeleine,
secretly in love with Guy, is preparing to leave, but he asks
her to stay. Soon, they sort out the details of his inheritance,
and with her help, he puts his life back together, and buys his
own gas station. They marry.
In the final
scene, it is now December, 1963. Under a light snow, Madeleine
and their young son François leave the station to visit Santa
Claus. A sleek Mercedes pulls in, and Guy walks over to help the
driver, who is Geneviève, the girl he left behind, accompanied
by her daughter Françoise, their love child.
Their time
together is brief. They exchange pleasantries, but there is little
doubt that Guy is a whole lot happier now than Geneviève.
As she drives off, Madeleine and François return.
Let's look
beneath the chick flick veneer.
Asynchrony
is a constant theme. As Guy rushes to meet Geneviève that
first night, the last minute customer whom he never sees is Roland
Cassard. Geneviève gets pregnant the very first time they
have sex. Guy's beloved aunt dies the very night he hits rock bottom.
Madeleine and Geneviève miss each other at the end, by only
seconds.
Family values
can have quite different effects. Geneviève is forced into
an unhappy marriage, while Guy is essentially forced into a happy
one. The double meaning of selling the family jewels is not lost
on the young beauty.
Indeed, as
she sees her future developing into something far different from
what she anticipated, the once radiant girl gradually turns colder,
emerging as an eerie ice queen, in the snow no less, at the movie's
end.